On Reading Fiction

Tim Challies (avid blogger and Christian author) recently interviewed Dr. Russel Moore about the value of reading fiction. I have always enjoyed some fiction (historical fiction sometimes irritates me, but that is just my tastes I suppose). In this portion of the interview, Dr. Moore writes some interesting thoughts about the value of fiction for the Christian and makes some compelling associations with the heavy use of fiction by the prophets as well as Jesus. What I understand his point to be, is that fiction helps the Christian relate spiritual truth to the physical world in which we live, which is necessary if we are to apply doctrine to practice. Below is a portion of the interview. To get the whole interview (and it is very interesting) click on this link   http://www.challies.com .

I’ve found that most people who tell me that fiction is a waste of time are folks who seem to hold to a kind of sola cerebra vision of the Christian life that just doesn’t square with the Bible. The Bible doesn’t simply address man as a cognitive process but as a complex image-bearer who recognizes truth not only through categorizing syllogisms but through imagination, beauty, wonder, awe. Fiction helps to shape and hone what Russell Kirk called the moral imagination. My friend David Mills, now executive editor at First Things, wrote a brilliant article in Touchstone several years ago about the role of stories in shaping the moral imagination of children. As he pointed out, moral instruction is not simply about knowing factually what’s right and wrong (though that’s part of it); it’s about learning to feel affection toward certain virtues and revulsion toward others. A child learns to sympathize with the heroism of Jack the Giant Killer, to be repelled by the cruelty of Cinderella’s sisters and so on.

When you think about it, that’s how the Scriptures often work. The Proverbs, for instance, paint a vivid picture of the revolting tragedy of adultery (Proverbs 7). Jesus doesn’t simply speak about God’s forgiveness in the abstract. He tells a story, the prodigal son, designed to shock (a son who would spurn his inheritance) and to elicit sympathy and identification. The apostles do the same thing. They employ literary, visual language meant to appeal not just to the intellect but to the conscience through the imagination. Think of the Apostle Paul’s language of “laboring until Christ is formed in you,” or his use of literary themes in the OT (“fruit of the Spirit,” and so on).

Fiction can sometimes, like Nathan the prophet’s story of the ewe lamb, awaken parts of us that we have calloused over, due to ignorance or laziness or inattention or sin. This very night, on my way home, I was talking by telephone to my eighty-six year-old grandmother. She was telling me a story about the last time she saw my grandfather alive. She told me about feeling the coldness of his feet as she changed his socks in his hospital bed, about how his eyes were focused on her, though he couldn’t speak. She talked about how, when the nurses told her she had to leave, she kissed him, told him she loved him, and that she could feel him watching her as she left the room, for the last time. I knew she had lost my grandfather. I know that people die. I know “Husbands love your wives” (Ephesians 5). But that story awakened something in me. It prompted me to hold my wife with a special tenderness when I walked in the door. I had imagined what it would be like to say goodbye to her in that way, and, suddenly, all the daily pressures of kids and bills and house repairs and travel just seemed to fit in a bigger context. Fiction often does the same thing. When I read Tolstoy’s Death of Ivan Illych, I gain an imaginative sympathy with something I might avoid in the busyness of life: what it’s actually like to die. When I read Wendell Berry’s stories of Henry County, Kentucky, I can gain insight on what it would be like to face losing a family farm in the Great Depression. This fiction gives a richer, bigger vision of human life.

What’s more is that fiction is, I think, very helpful for those who are called to preach and teach (which, at least in terms of bearing witness to Christ is true of all of us). Fiction helps the Christian to learn to speak in ways that can navigate between the boring abstract and the irrelevant mundane. It also enables you to learn insights about human nature. I’ve never had a problem with drug addiction. I can’t imagine why on earth anyone would take meth. Reading stories of life in Eastern Kentucky and about the motivations behind a meth addict can teach me to address those things biblically, and to see where I have similar idolatry that would be just as incomprehensible to someone else.

I would say that fiction, along with songwriting and personal counseling, are the most constant ways that God teaches me empathy. It’s easy in evangelical Christianity to assume that everyone who opposes us or disagrees with us is simply to be verbally evaporated as an enemy to be destroyed. But no false teaching and no wrong direction has any power unless it appears to someone to be good. Jesus teaches us that those who hand over the disciples to be killed will “think themselves to be doing the will of God.” Almost everyone is the hero in his or her own personal narrative. People don’t think of themselves the way super-villains do in some old cartoon, rubbing their hands together and plotting “the reign of eeeee-vil in the world. Ha ha ha ha!” Fiction helps people honestly present those internal stories that people tell themselves, things they won’t disclose in, say, a debate or a non-fiction monograph arguing for their way of life. In fiction, a Darwinist can show you what it’s like to be scared that you’re living a meaningless life in a meaningless universe, but he can also show you where he finds those things, like awe and love, that he can only ultimately find in God.

In doing premarital counseling with couples I’m marrying, I ask each of them to tell a story to the other. It’s called, “If I Had an Affair, This Is What I Would Do.” Most of these young couples cringe and pout when I first assign this. They’re in love. They only have affection for the other. They can’t imagine ever cheating. That’s just the point. No couple (or very few) start a marriage with designs on infidelity. This storytelling exercise is fictional, but it helps to focus the one’s imagination on what patterns are in his life that he should watch, and it helps the other to get to know her future spouse in a way that is impossible so far in their experience. Often, this exercise has caused a couple to put certain safeguards in place about computers or travel or what have you. It’s helped husbands learn what’s going on when their wives get suddenly quiet or whatever. That’s amateur fiction, but it’s fiction.

But, finally, good fiction isn’t a “waste of time” for the same reason good music and good art aren’t wastes of time. They are rooted in an endlessly creative God who has chosen to be imaged by human beings who create. Culture isn’t irrelevant. It’s part of what God commanded us to do in the beginning, and that he declares to be good. When you enjoy truth and beauty, when you are blessed by gifts God has given to a human being, you are enjoying a universe that, though fallen, God delights in as “very good.”